Showing posts with label Steve Jobs. Show all posts
Showing posts with label Steve Jobs. Show all posts

Thursday, 5 January 2012

TIME TO FLICK THE SWITCH


Imagine if consumers had loved Apple but disapproved of Steve Jobs. Liked Aussie Home Loans but disliked John Symonds. Flocked to Dick Smith Electronics, whilst shunning Dick Smith. Such is the conundrum facing Tony Abbott and the Liberals as they enter the new year.

Numerous commentators, and indeed some of his own team, aware of this dilemma, have been urging Tony Abbott to dramatically switch tactics, fretting that his “negative approach” could cost him the 2013 election. In doing so, they fail to appreciate the difference between selling values and selling a product. Or to put it another way, between “brand” and “retail.”

In the world of advertising, it is possible to be both positive and negative. To espouse higher order values whilst simultaneously savaging your opponents.

For better or worse, Tony Abbott now personifies the Liberal brand, in the same way that Steve Jobs became the embodiment of Apple, and Dick Smith, John Symonds and others became the embodiment of their own brands. Jobs lived and breathed his brand identity, right down to wearing black skivvies and jeans as a visual representation of the Apple narrative of stylish simplicity. Revered by many as visionary and enlightened, he still managed to stick the boot into Microsoft at every opportunity. Symonds – for whom I made several brand ads at the height of Aussie’s popularity – was equally indistinguishable from the brand he created; always speaking in that unique ‘bogan’ nasal twang, lending his every utterance an authenticity that the western suburbs adored.

Throughout the 90’s Symonds attacked the banks as mercilessly as Abbott does the government. That was his retail message, emphasized by the lower interest rates of his products. But the brand message was far more positive;
 “At Aussie, we’ll save you,” was his inspirational catchphrase. So popular was it that John found himself inundated by people genuinely believing he could rescue them from other problems in their lives – such as wonky marriages or leaky pipes. Equally, Apple’s market success was driven by Job’s inspiring promise to “think differently” and offer you “intuitive creativity” as much as by the relentless attacks on his opponents, as emphasized in the famous “I’m a Mac/I’m a PC” campaign.

Tony Abbott has proven himself great at trashing the rival brand. But that will never be enough. What, in a simple few words, is the higher order benefit that the Liberal Party actually stands for?

Now is not the time to switch strategies. It is time to build the brand.

Tony Abbott’s ubiquitous visual imagery - the hard-hat, safety vest, athleticism and so on - give a flavour of the brand that he now personifies, depicting the ethos of the no-nonsense, business-minded, anti-Green Aussie worker. Someone newly arrived to this country (by boat perhaps?) would read these semiotic clues and already identify the Abbott/Liberal brand as aggressive, hard-working, and extremely effective at eliminating pesky problems. A bit like ‘Raid’, actually. Powerful, yes. But is it a brand to fall in love with?

Not if the most recent Liberal Party ad is anything to go by. A missed opportunity, this messy retail ad fails to do the brand any favours whatsoever.

For those who haven’t seen it, this unimaginative piece of work features clips from “four years of Labor disasters” set to a bizarre and unexplained drum solo.

Basically a “Worst of” selection of classic Labor Party bloopers and blunders, the ad features Wayne Swan breaking a glass of water during a radio interview, Kevin Rudd looking flustered as he faces the faceless men, and Gillard rehashing that tired old refrain that we know so well about the likelihood of a carbon tax under the government she leads. Into the mix gets tossed a tedious loop of the “moving forward” sample.

Strategically, this was the wrong ad from the Liberals at the wrong time. It may be a hit with the die-hard fans, the ones with the Tony tattoo on their left buttock or the cupboard full of ‘JULIAR’ tee-shirts, but because it offers nothing new – no new tune to whistle along to, no new memorable phrase to sing – it does what all compilation packages do: it suggests your glory days are behind you.

For Abbott, this is precisely the worst message he could be putting out. At a time when Labor are successfully painting him as nothing but negative, this was the moment – as voters look forward to the holidays, relieved that a ghastly year is finally over – to tell a positive story of Liberal values.

In advertising, it’s “new news” that cuts through. Tapping into what consumers are just starting to think, and then articulating that idea in a compelling and original way, is the key to a successful ad campaign.

Highlighting the many obvious deficiencies and mistakes of the Rudd/Gillard team is stale news. Voters, like consumers, are easily bored; and pink batts and live animal export shenanigans no longer pack the punch they did at the time. To constantly remind voters of those stuff-ups is of course important from a political perspective, but from an effective advertising point of view it is irrelevant.

“Staying on message” doesn’t just mean pumping out the same tired riff again and again and again, like Deep Purple or Status Quo.

What the ad lacks is a single clear compelling insight. Instead, it jams together a whole hotchpotch of half-ideas. We get the “disaster” theme, some “rip-offs”, a “prices going through the roof” gag, a sinister hint at the Green’s role in government, the unanswered question “why did you lie to us?” and a rather flat “who’s gonna pay?” climax. Meanwhile, the drums pound away, as irritating and pointless as Mick Fleetwood’s eleven minute solos in the middle of a Mac concert.

The Kevin O’Lemon ad campaign, on the other hand, used a single-minded, very effective creative device that poked fun at the disappointment Rudd had become to many disillusioned voters. It was the right campaign, at the right time, with a lightness of touch and humourous tone of voice that not only made it a huge viral hit but articulated precisely what the public was beginning to feel about the former PM and his team. The new ad merely regurgitates without wit or insight what the public have already bought into.

Perhaps in the dying days of a knife-edge election campaign this sort of frenetic, tacky ad could be justified. But with the Opposition comfortably placed in the opinion polls, the carbon tax off the agenda, and Gillard – or at least Labor - likely to survive another two years, “remember the bad times” is a pointless advertising strategy. This was Abbott’s chance to offer an inspiring “reason-to-believe” in his brand, rather than just trashing the competition’s yet again. As every good marketer knows, negative advertising can be extremely effective in the short-term, but brand advertising is the ultimate long-term persuader.

Take the world of supermarkets, where two giant brands go head to head every day. Coles don’t merely rely on the big red hand telling us prices are down, they also repeatedly promise us “Quality food” and remind us they are the “shop where the Masterchefs shop.” The hard-hitting retail message is balanced by the higher-order brand message. Similarly, Abbott’s endless chanting of “Down, down, Labor is down!” – or words to that effect - needs a positive and inspirational brand message to complement it.

Tony Abbott has already seen off one Prime Minister, wounded another, and reduced a landslide-winning Labor government to a shaky coalition. From a marketing perspective, his near-annihilation of the competition in such a short time is nothing less than extraordinary. Coles or Woolies would give their big red hand or bright green glove for such a successful campaign.

Consumers need to see Abbott’s Raid-style attack strategy launched from the solid foundations of an aspirational brand identity. He needs to support “our prices will never be beaten” with “we’re the fresh food people.” This does not mean he has to prematurely reveal his own policies. It means he has to find fresh ways to articulate his brand’s values. Andrew Robb has nominated “living within our means, backing our nation's strengths, reversing the nanny state and restoring a culture of personal responsibility” as the pillars of Liberal “philosophy.” To which I would suggest adding entrepreneurialism, opportunity and a passionate belief in the power of the individual. These are all key brand values that need to be sold in an inspiring way, whilst still allowing the successful attacks on Labor policies to continue. The challenge now for Tony Abbott is to find a way to flog these abstract and often intangible brand values with as much zeal as he does his aggressive "retail" messages.

John Howard defined the modern Liberal brand, becoming the representative of the determined, lone battler struggling to look after his family and small business in the face of the elitist aspirations and irrelevant obsessions of the Keating Labor era. Howard articulated a great brand story. Tony Abbott must now do the same.

Wednesday, 12 October 2011

AN APPLE A DAY

http://tiny.cc/cmegm


Shrines from Shanghai to San Francisco are testament to the fact that, much like my iPod, Steve Jobs died way too soon. There is a cruel irony in this. More than almost any other person on the planet, Jobs embraced the ethos of built-in-obsolescence. Going to an early grave, sadly, appears to be in keeping with his core beliefs. Indeed, it was Steve himself who said back in 2005 that “death is very likely the single best invention of life.”

I only know Jobs through the endless array of devices that I have purchased from him. Going way back, I bought three Macintosh computers when, flushed with pride and optimism but not much cash, I first set up my own small business in the mid-nineties. Foolishly, I should have waited. It was only a few months later that, to great fanfare, the ultra-cool translucent iMac came out. Every advertising or film person worth their salt had to have one. Packing the old ugly boxes away, I excitedly splashed out on this wonderful new curvaceous plaything for our office.

Again, I should have waited. In an industry that values style and fashion, our young company had barely celebrated its first birthday when I realised its technology already looked out-of-date. The multi-coloured clamshell shape of the iBook had arrived on the scene, utterly transforming the way our industry worked. My proud iMac soon joined its clunky siblings tucked away in the company broom cupboard, and our daily business was now conducted exclusively on these stylish, portable new devices.

But not for long. For the next decade, like every other small businessman, I struggled to find the cash to keep up with Steve's never-ending, dazzling array of must-have products. The lolly-colours of the iBook range now looked embarrassing in the new era of the PowerBook, where almost annually a new design or feature superceded the last of these silver-plated miracles. Battling to keep up, I shook my head in disbelief at firewires that no longer fitted, connection ports that seemed to mysteriously change shape, functions that worked on older operating systems but not the newer ones and so on. The list of changes updates and new requirements has been endless. But it was worth it. To be cutting edge.

Meanwhile, as the products became thinner and thinner, so too did their maker.

I'm currently on to my seventh iPod. The first one proudly housed my entire CD collection of many thousands of songs; I was devastated when it abruptly kicked the bucket after about only eighteen months of service. It still sits forlornly in its handsome dock, as dead as the great man himself.

Nowadays, we have a variety of iPods (some for jogging, some for holidays, one for the car) as well as, of course, several iPhones. Some of them work, some of them don’t. Fingers crossed I get to the end of writing this article before my iPad decides to croak.

Beyond the style, the coolness, and of course the intuitive technology, we can also thank Steve Jobs for turning the marketing philosophy of built-in obsolescence into high art. Planned or otherwise, it’s certainly been my experience that too many of his products come burdened with a use-by-date that would make even the most fervent salesman blush. It’s feasible these days that an apple you buy from your local supermarket may well have a longer lifespan than the Apple you buy from your local electronics store.

The recent anti-climactic iPhone 4S release has been criticized for being yet another example of Apple’s addiction to planned obsolescence, along with tamper-resistant screws and other “innovations”, such as the fact that the price of a replacement battery for an iPod Shuffle is the same as a new device. Equally, the iPhone’s Lithium-Ion batteries have a finite life of 300 to 500 cycles, meaning with heavy use they may only last a year. Before the iPhone, mobiles without user-replaceable batteries were virtually unknown. Apple maintains that you can always pay to replace the battery (at the so-called “Genius” bar; what happened to the word “Repairs”?), but it costs more money, takes up to a week, and you lose your phone’s entire memory. So – hang on! – why not just buy a new one?
In 1954, Brooks Stevens, an American industrial designer, made popular the theory of "Planned obsolescence”, which he defined as "instilling in the buyer the desire to own something a little newer, a little better, a little sooner than is necessary."
Don't get me wrong. I'm a big Apple fan. (God forbid I should ever have to buy a PC.) Each new Apple invention has clearly enriched my life, and I'm grateful for that. It’s just that they never seem to stick around as long as I think they should.

In death, as in life, Steve Jobs stayed true to his brand.